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    <loc>https://www.midorihirose.info/work</loc>
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    <lastmod>2025-12-13</lastmod>
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      <image:caption>Hippy Shit. Created sculptures and spread for the bi-annual publication for Hippy Shit.</image:caption>
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      <image:caption>KFFP 90.3 FM Portland</image:caption>
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      <image:caption>Spitwad Book I of II. An interactive acrylic book composed of Spitwads. This piece is based on the classic child’s play game of “spit wad.” The spit wad clay pieces can be seen through each translucent page of the interactive sculpture. The book can be opened to “read” the spit wad arrangements.</image:caption>
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      <image:caption>Nadja’s Keeper TBI + ART = EXPRESSION Providing Brain Injury Survivors with Art Supplies Nationwide Our Mission Providing TBI (traumatic brain injury) and ABI (acquired brain injury) survivors with unlimited art supplies that allow each impacted individual the ability to express themselves through the visual arts. Our members and volunteers support the brain injury spectrum community thru this positive and flourishing effort. https://nadjaskeeper.org/</image:caption>
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      <image:caption>Terre-Travaux, teaching artist for Creek College</image:caption>
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      <image:caption>Gouache painted on paper.</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Upsy Daisy, video, 2020 A day in the life of a daisy’s vibe involves a video mashup with Still Life with a Skull Français: Vanité, Philippe de Champaigne, 1582.</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Ha Ha Crystals, 2021.</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Last Splash (CC Cube), wood and toile. Created geometric swimwear with a loose principle based on the classic bespoke tailcoat with a top hat. The fabric print depicts a pastoral, country scene.</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Pictured: Curatorial research and lecture during S-AIR, Sapporo, Japan, 2019 End of Summer is a cross-cultural art program based in Portland, Oregon which launched in 2016. It is comprised of an annual summer residency for artists from Japan, as well as a lecture series. Outside of this core summer program, symposiums, exhibitions, and other related projects are also organized in Japan, and internationally. End of Summer exists to build a dialogue between the U.S., specifically the region of the Pacific Northwest, and Japan through contemporary art. Through this entry point, the program aims to engage in a larger exploration of Japanese art in the era of global artistic practice, as well as the continual reconsideration of notions of East and West, center and periphery. Each year, six Japanese artists are selected through an open call and invited to participate in the program. The residency utilizes the setting of Portland, with its cultural ties to Japan, community-oriented ethos, and dynamic arts activity, as a site for creative exploration that nurtures international connectivity. As an End Of Summer (EOS) Artist Residency Liaison (2016-2020), I provide support for our visiting artists. The program is led by visionary, Matt Jay, End of Summer and That Year Founder &amp; Director.</image:caption>
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      <image:caption>Radio Cab, Wo Wo Wo Wo IV, 2013—2014</image:caption>
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      <image:caption>Trash Hackers Collective, founding member, art educator and maker (2019-2023.) R&amp;D process involves creating/modifying equipment, harvest, clean, recycle, shred, reshape plastic. Conduct tests and safety modifications/protocols.</image:caption>
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      <image:caption>The Furin Project, active from 2022 to 2023, is a Community Public Art initiative that I initiated during my tenure as an Interdisciplinary Artist and Community Engagement Facilitator. It is marked by its intergenerational inclusivity, offering complimentary access to materials for crafting clay 'Furin' wind bells and resources to the public. This endeavor comprises various components, including twelve workshops, two exhibitions, and a symposium featuring an interactive art walk across four sites, as well as the enjoyment of local cuisine. The 207 bells crafted during these activities serve as integral artifacts within the broader artwork, reflecting community involvement and collaborations with over eleven organizations across various departments and engaging nearly 300+ community stakeholders. Since the exhibitions, the bells have been exchanged among community makers. Stay tuned for upcoming updates, which will include informative videos and additional details about this project.</image:caption>
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  </url>
  <url>
    <loc>https://www.midorihirose.info/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-03</lastmod>
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      <image:title>About - Midori Hirose</image:title>
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  </url>
  <url>
    <loc>https://www.midorihirose.info/cv2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-06</lastmod>
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